Sky Jumpers
Peggy Eddleman
Random House, 2013
Hot off the press, this debut novel plunges us into a technology-challenged post-WWIII landscape which includes the deadly "Bomb's Breath," a ring of pressurized air that will kill anything that breathes it in.
Hope, her friends Brock and Aaren, and Aaren's little sister Brenna are part of a fairly isolated community known as White Rock. White Rock is located in a crater that was formed by one of the deadly bombs of WWIII. Hope, Aaren, and Brock have figured out how to "sky jump" off a cliff through the Bomb's Breath (holding their breath) and land on the ground below the toxic air. While this would truly horrify their parents (all of whom have known people who died in the Bomb's Breath), it becomes the way these children will save their community with danger strikes.
Every year, White Rock sends a troop of volunteer guards down the road to the next settlement (Browning) because it's fairly protected by the snow and Bomb's Breath during winter. Bandits roam freely and often attack these small communities, and sometimes the volunteer guards don't return. This year, however, bandits figure out how to enter White Rock in the winter. They attack, hold the entire town hostage, and are demanding the town's full supply of their only antibiotic. Hope, Aaren, Brock, and little Brenna manage to escape the large community center and flee to Browning. They must jump through the Bomb's Breath and struggle against deadly cold, but they do make it. Are they in time to rouse the guards at Browning? The guards can't go back through the Bomb's Breath, so how will they rescue White Rock's citizens? Will Hope's father, whom the bandits shot, die before she returns?
This is a fun debut and is satisfyingly one novel rather than a giant series. Perhaps there will be more, but it doesn't need a sequel. Lots of action and bravery will hook young readers. Hope, Brock, Aaren, and Brenna are fairly stock character types for middle grade fiction, but they are unique in their sky jumping. The plot wraps up pretty neatly in the end, but the escaped bandit makes for a nice unresolved element. Tiny sparks of romance will please some middle grade readers, but there is not enough to turn away those who don't want romance. All in all, Sky Jumpers is a fun read and one I recommend!
Book in ARC form via netgalley and thanks to publisher; cover image from publisher's website
Monday, October 14, 2013
Wednesday, October 9, 2013
Flora's Very Windy Day
A Picture Book of the Week (PBOW) Feature
Flora's Very Windy Day
Jeanne Birdsall, author
Matt Phelan, illustrator
Clarion, 2010
I'm a fan of Jeanne Birdsall's Penderwick books, and I've also enjoyed what I've seen of Matt Phelan's work (in fact, I recommended his Around the World graphic novel for one of our Redeemed Reader 2013 Summer Reading Read-Along titles). When I noticed this book in Barnes and Noble a few weeks ago, I immediately pulled it down to read it. My first thought was, "Why haven't I heard about this book? It's lovely!" (And I've since checked it out from the library for more rereads.)
Sometimes you just need a "charming" picture book--not one that's breaking the mold, shaking things up, being a touch obscure in the name of "art." You want a good read that's enhanced by great illustrations. That's what this book delivers. Let's unpack it a bit.
Cover/Endpapers: Everything about this cover says "Fall" and "Windy." Kids are flying through the air, trees are sporting their autumn colors, the kids are wearing coats, the author's and illustrator's names are curved. Even the title font choice is "windy" in feel. If you're perceptive, you'll notice that these two children are probably brother and sister since the girl is bigger than the boy--and also that this story is about the girl since she's front and center. And you'd be right. Endpapers are purple and plain. Why purple? Did you notice those boots on the boy? Purple does play subtly into the story. Nice choice, book designers!
Opening Pages: The action starts immediately: windy tree on title page, two children starting to have an argument on the next pages--we're prepped for the angry emotion we see right away on that first page of the text. Flora is MAD. And we already know why!
Illustrations/Composition: These are just marvelous. Some pages have lots of white space with sequential action nicely shown (Flora struggling into her boots, her brother being blown away). Some pages feature full page illustrations with enough white space left for text (such as when the mother is present). Other pages are double spreads that take up the entire page (Flora sailing up to her brother, the various conversations Flora has with the different elements). You might note that the double spreads are all during the windy "sky" times, while the other types are firmly grounded on earth. The bookends to the sky journey are the spreads featuring those red boots up close (and empty!). These are the types of decisions that set the better picture books apart. There's a lot of intentionality in them. I could go on about palette, facial expressions, perspective--but I won't. Just don't miss that final text-free page!
Text: Birdsall writes beautifully here. No talking down, no overuse of clever phrases or words in general, no analyzing. Just a great story in a childlike voice. Flora is mad at her brother and doesn't want to have him tagging along; she wishes she were somewhere else. The wind scoops up her brother (she follows), and then various elements (rainbows, eagle, moon, and more) ask if her brother can stay with them. Flora realizes in the end that she loves her brother after all. Aww... see? But it's not saccharine in the least.
This book should be in your local library as well as in your local bookstore. Enjoy!
If you've read this book, what did you think? Do you like it? No? Why?
Next PBOW Feature: Moonday by Adam Rex (finally!)
Flora's Very Windy Day
Jeanne Birdsall, author
Matt Phelan, illustrator
Clarion, 2010
I'm a fan of Jeanne Birdsall's Penderwick books, and I've also enjoyed what I've seen of Matt Phelan's work (in fact, I recommended his Around the World graphic novel for one of our Redeemed Reader 2013 Summer Reading Read-Along titles). When I noticed this book in Barnes and Noble a few weeks ago, I immediately pulled it down to read it. My first thought was, "Why haven't I heard about this book? It's lovely!" (And I've since checked it out from the library for more rereads.)
Sometimes you just need a "charming" picture book--not one that's breaking the mold, shaking things up, being a touch obscure in the name of "art." You want a good read that's enhanced by great illustrations. That's what this book delivers. Let's unpack it a bit.
Cover/Endpapers: Everything about this cover says "Fall" and "Windy." Kids are flying through the air, trees are sporting their autumn colors, the kids are wearing coats, the author's and illustrator's names are curved. Even the title font choice is "windy" in feel. If you're perceptive, you'll notice that these two children are probably brother and sister since the girl is bigger than the boy--and also that this story is about the girl since she's front and center. And you'd be right. Endpapers are purple and plain. Why purple? Did you notice those boots on the boy? Purple does play subtly into the story. Nice choice, book designers!
Opening Pages: The action starts immediately: windy tree on title page, two children starting to have an argument on the next pages--we're prepped for the angry emotion we see right away on that first page of the text. Flora is MAD. And we already know why!
Illustrations/Composition: These are just marvelous. Some pages have lots of white space with sequential action nicely shown (Flora struggling into her boots, her brother being blown away). Some pages feature full page illustrations with enough white space left for text (such as when the mother is present). Other pages are double spreads that take up the entire page (Flora sailing up to her brother, the various conversations Flora has with the different elements). You might note that the double spreads are all during the windy "sky" times, while the other types are firmly grounded on earth. The bookends to the sky journey are the spreads featuring those red boots up close (and empty!). These are the types of decisions that set the better picture books apart. There's a lot of intentionality in them. I could go on about palette, facial expressions, perspective--but I won't. Just don't miss that final text-free page!
Text: Birdsall writes beautifully here. No talking down, no overuse of clever phrases or words in general, no analyzing. Just a great story in a childlike voice. Flora is mad at her brother and doesn't want to have him tagging along; she wishes she were somewhere else. The wind scoops up her brother (she follows), and then various elements (rainbows, eagle, moon, and more) ask if her brother can stay with them. Flora realizes in the end that she loves her brother after all. Aww... see? But it's not saccharine in the least.
This book should be in your local library as well as in your local bookstore. Enjoy!
If you've read this book, what did you think? Do you like it? No? Why?
Next PBOW Feature: Moonday by Adam Rex (finally!)
Monday, October 7, 2013
The Song of the Quarkbeast (Dragonslayer #2)
The Song of the Quarkbeast (Dragonslayer #2)
Jasper Fforde
HMH Books for Young Readers, 2013
(originally published in the UK in 2011)*
*I'm one of the privileged few who got to read this second book before it came out in the U.S. I have a connection who is also a big Jasper Fforde fan, and she buys his books from the U.K. and then loans them to me! But for those of you not so fortunate, know that this book just came out here in the ol' U.S. of A.
First, let me assert once again that the U.S. covers of these books are a bit subpar in "oomph" when compared with their Anglo cousins. (Although the paperback version of The Last Dragonslayer is far superior to the hardback.)
Second, let me say that you must, you absolutely must, read The Last Dragonslayer before reading this book--or even this review. If you haven't read that book, then at least read my review of it. Otherwise, what I'm about to tell you will make no sense whatsoever.
We meet up with Jennifer Strange and the other oddballs at Kazam right away, and we are also immediately plunged into the action. King Snodd IV is up to no good (as usual), and he has hatched a nefarious plan to control Magic (thus controlling the world). iMagic (big business) and Kazam (small business), as the two primary workers of Magic, are pitted against each other in a contest. The fate of the planet seemingly hangs in the balance, and King Snodd is not playing fair. He has rigged the contest...or so it would seem.
Thankfully, those strange Quarkbeasts come into play again along with ancient Magical forces. Thanks to Jennifer's quick thinking, her sidekick Tiger Prawns, a Transient Moose whose special talent is finally realized, a pair of Quarkbeasts, and various and sundry other strange characters, big business doesn't carry the day.
This is a quick read, a very quirky one (what did you expect? It's Fforde!), and a satisfying one. I liked the ending very much (more than the ending to the first book, that's for sure). It's not quite as good overall as the first book, but only slightly less so. If you're a Jasper Fforde fan and/or relish quirky fantasy, then this series is a winner. If you read and enjoyed The Last Dragonslayer, then you must read this book! Fforde's snarky wit and clever storytelling is so much to fun to read.
Recommended for 12 and up. Book from my friend; cover image from publisher's website.
Jasper Fforde
HMH Books for Young Readers, 2013
(originally published in the UK in 2011)*
*I'm one of the privileged few who got to read this second book before it came out in the U.S. I have a connection who is also a big Jasper Fforde fan, and she buys his books from the U.K. and then loans them to me! But for those of you not so fortunate, know that this book just came out here in the ol' U.S. of A.
First, let me assert once again that the U.S. covers of these books are a bit subpar in "oomph" when compared with their Anglo cousins. (Although the paperback version of The Last Dragonslayer is far superior to the hardback.)
Second, let me say that you must, you absolutely must, read The Last Dragonslayer before reading this book--or even this review. If you haven't read that book, then at least read my review of it. Otherwise, what I'm about to tell you will make no sense whatsoever.
We meet up with Jennifer Strange and the other oddballs at Kazam right away, and we are also immediately plunged into the action. King Snodd IV is up to no good (as usual), and he has hatched a nefarious plan to control Magic (thus controlling the world). iMagic (big business) and Kazam (small business), as the two primary workers of Magic, are pitted against each other in a contest. The fate of the planet seemingly hangs in the balance, and King Snodd is not playing fair. He has rigged the contest...or so it would seem.
Thankfully, those strange Quarkbeasts come into play again along with ancient Magical forces. Thanks to Jennifer's quick thinking, her sidekick Tiger Prawns, a Transient Moose whose special talent is finally realized, a pair of Quarkbeasts, and various and sundry other strange characters, big business doesn't carry the day.
This is a quick read, a very quirky one (what did you expect? It's Fforde!), and a satisfying one. I liked the ending very much (more than the ending to the first book, that's for sure). It's not quite as good overall as the first book, but only slightly less so. If you're a Jasper Fforde fan and/or relish quirky fantasy, then this series is a winner. If you read and enjoyed The Last Dragonslayer, then you must read this book! Fforde's snarky wit and clever storytelling is so much to fun to read.
Recommended for 12 and up. Book from my friend; cover image from publisher's website.
Wednesday, October 2, 2013
Nino Wrestles the World by Yuyi Morales
A Picture Book of the Week (PBOW) Feature
Nino Wrestles the World
Yuyi Morales
(A Neal Porter Book) Roaring Brook Press, 2013
Sometimes, when I write these reviews, I'm tempted to go ahead and label it "award winner" in my categories. When I've really been convinced in the past, I've been right! (Let me refer you to Chime, Inside Out and Back Again, Code Name Verity, and Bomb to name a few...). In addition to my "gut" on this one, I should point out that Neal Porter Books/Roaring Book Press has a pretty good track record in recent years for Caldecott winners/honors: A Sick Day for Amos McGee, The Man Who Walked Between the Towers, My Friend Rabbit, Green, Grandpa Green, First the Egg.
So, am I going on record to say that Nino Wrestles the World will win at least a Caldecott honor? No. But I'm betting that between the Caldecott and awards like the Pura Belpre, this book has a fighting chance at award status come January. So, consider yourself forewarned. I'm not the only who thinks so; it's appearing on mock Caldecott lists such as the one at Calling Caldecott over at Horn Book.
I'll confess right up front that this cover, while it made me chuckle, also made me inwardly groan: there's a boy in his underwear on that cover and all I could think of was the likes of Captain Underpants. C'mon people, is this what we're descending to? But so many people were raving about this book. I took the plunge and checked it out from the library. Lo and behold, I liked it enough to feature it in a PBOW and go on record to say that it's got big time award potential. What won me over?
Book Design: no question, here. This book has some stellar design. Endpapers show very cool extra information that is not hidden by those library book jacket flaps. In fact, if you read this book in order and don't immediately check out the back endpapers like I did, you won't recognize what's coming at the end. I like the heavy quality of the paper, the bold typeface, the superhero "Spak" and "Taka" moments, the whole package.
Palette: I'm a sucker for a good palette. I admit it. Soft, bold, monochromatic, whatever--no real preference except that I like to notice it. It needs to look intentional and really contribute to the book. And the palette here is perfect: bold colors with heavy black lines add to the retro superhero feel and also echo the Mexican feel (you'll recognize the same colors from your favorite Mexican restaurants: orange, red, yellow, splashes of bright blue, etc.).
Details: Notice those "toys" there in the opening pages? You'll see them again--in the Lucha Libre (Mexican wrestling) matches with Nino.
Composition: Notice that each time Nino is meeting his latest opponent, the opponent looks larger than life? He or she dominates the spread. As soon as Nino starts wrestling, though, the opponent shrinks to manageable size. This holds true until Nino meets his final two opponents. (I won't spoil it for you.)
Text: The words have to work for me. I've seen picture books with great illustrations but lackluster words, and I move on. Here, the text is sparse and works well with the bold illustrations. I love the overall plot and the total lack of feel good text at the end (again, I won't soil it for you...). In addition to this, the Spanish is worked in expertly. There are so many bilingual books out there where the book feels like a book-to-teach-awareness-of-Hispanic-culture. (sigh) But Nino Wrestles the World is simply a great book that also happens to raise awareness of Mexican wrestling and the Spanish language.
What do YOU think of this book? Like it? Not? Why?
Next week's PBOW, in case you want to track it down, is Flora's Very Windy Day. This was published a year or so ago, so you should find it easily in libraries. But it's a fantastic fall book for this season!
Nino Wrestles the World
Yuyi Morales
(A Neal Porter Book) Roaring Brook Press, 2013
Sometimes, when I write these reviews, I'm tempted to go ahead and label it "award winner" in my categories. When I've really been convinced in the past, I've been right! (Let me refer you to Chime, Inside Out and Back Again, Code Name Verity, and Bomb to name a few...). In addition to my "gut" on this one, I should point out that Neal Porter Books/Roaring Book Press has a pretty good track record in recent years for Caldecott winners/honors: A Sick Day for Amos McGee, The Man Who Walked Between the Towers, My Friend Rabbit, Green, Grandpa Green, First the Egg.
So, am I going on record to say that Nino Wrestles the World will win at least a Caldecott honor? No. But I'm betting that between the Caldecott and awards like the Pura Belpre, this book has a fighting chance at award status come January. So, consider yourself forewarned. I'm not the only who thinks so; it's appearing on mock Caldecott lists such as the one at Calling Caldecott over at Horn Book.
I'll confess right up front that this cover, while it made me chuckle, also made me inwardly groan: there's a boy in his underwear on that cover and all I could think of was the likes of Captain Underpants. C'mon people, is this what we're descending to? But so many people were raving about this book. I took the plunge and checked it out from the library. Lo and behold, I liked it enough to feature it in a PBOW and go on record to say that it's got big time award potential. What won me over?
Book Design: no question, here. This book has some stellar design. Endpapers show very cool extra information that is not hidden by those library book jacket flaps. In fact, if you read this book in order and don't immediately check out the back endpapers like I did, you won't recognize what's coming at the end. I like the heavy quality of the paper, the bold typeface, the superhero "Spak" and "Taka" moments, the whole package.
Palette: I'm a sucker for a good palette. I admit it. Soft, bold, monochromatic, whatever--no real preference except that I like to notice it. It needs to look intentional and really contribute to the book. And the palette here is perfect: bold colors with heavy black lines add to the retro superhero feel and also echo the Mexican feel (you'll recognize the same colors from your favorite Mexican restaurants: orange, red, yellow, splashes of bright blue, etc.).
Details: Notice those "toys" there in the opening pages? You'll see them again--in the Lucha Libre (Mexican wrestling) matches with Nino.
Composition: Notice that each time Nino is meeting his latest opponent, the opponent looks larger than life? He or she dominates the spread. As soon as Nino starts wrestling, though, the opponent shrinks to manageable size. This holds true until Nino meets his final two opponents. (I won't spoil it for you.)
Text: The words have to work for me. I've seen picture books with great illustrations but lackluster words, and I move on. Here, the text is sparse and works well with the bold illustrations. I love the overall plot and the total lack of feel good text at the end (again, I won't soil it for you...). In addition to this, the Spanish is worked in expertly. There are so many bilingual books out there where the book feels like a book-to-teach-awareness-of-Hispanic-culture. (sigh) But Nino Wrestles the World is simply a great book that also happens to raise awareness of Mexican wrestling and the Spanish language.
What do YOU think of this book? Like it? Not? Why?
Next week's PBOW, in case you want to track it down, is Flora's Very Windy Day. This was published a year or so ago, so you should find it easily in libraries. But it's a fantastic fall book for this season!
Monday, September 30, 2013
The Adventures of a South Pole Pig: A Novel of Snow and Courage
The Adventures of a South Pole Pig:
A Novel of Snow and Courage
Chris Kurtz, author
Jennifer Black Reinhardt, illustrator
HMH Books for Young Readers
2013
288 pages
This book came out on my birthday this year (January 8) along with titles such as Hokey Pokey, Navigating Early, and The Terrible Thing That Happened to Barnaby Brockett. Despite the "potential Newbery buzz" for books like Hokey Pokey and Navigating Early (both were on the early "to read" list at Heavy Medal, for instance), my favorite of this group is The Adventures of a South Pole Pig: A Novel of Snow and Courage.
So, why do I like this little chapter book so much? A longheld love affair with Charlotte's Web making me predisposed to like any pig chapter book? A general fondness for talking animal stories? A son who loves all things "pig"? Those are all reasons that helped me pick up this title off the "new" shelf at the library earlier this year. But those are not the reasons that make me like this book better than others I've read this year.
The Adventures of a South Pole Pig: A Novel of Snow and Courage is well written. Pure and simple. Characterization is top notch. We first meet Flora as a piglet who dreams of life beyond the pigpen, befriending the barnyard cat (Luna) in hopes of finding out "stuff." One day: escape! And Flora meets Oscar, a lead sled dog. Henceforward, after being returned to the pigpen, Flora dreams not just of exploration but of joining the sled dog team. After all, she has courage, pluck, strength, a stout heart. What more could you ask for in a sled dog team member?
One day, Flora is taken, along with Oscar and a number of other dogs, on board a ship bound for an Antarctic expedition. The reader will pick up on clues that go over Flora's head: her destiny is clearly for the crew's plates. She and her newest cat friend, Sophia, team up in the ship's hold to conquer the myriad rats, and Flora works hard to build up her strength in preparation for her anticipated sled dog/pig role.
Catastrophe strikes the ship, Flora's stout heart and strong legs help save the day, and she becomes essential to the team's survival. Flora forms an unlikely team with old Oscar, prickly Sophia, and the boy Aleric to help save the day in a heartwarming ending that is not at all saccharine.
The best chapter books for the third-fifth grade crowd feature great friendships, often between unlikely characters. You will find that in spades in this delightful book. Flora seeks adventure and finds it beyond her wildest dreams. Her courage is tremendous. Sophia's begrudging acceptance of the role of team player is well done. The scary and tense situations are just the right level for the target age group. As bizarre as the plot line is, it somehow works: we're rooting for a pig and a cat in the Antarctic and we know they will make it.
This book works on so many levels: plot, characterization, "issues" (survival, friendship, teamwork, etc.), setting (from the farm to the boat to the Antarctic). Illustrations are quirky and effective. But it also works on a sentence level: the text is excellent. A well constructed text can be read aloud easily and to great effect; Kurtz gives us that here. In fact, while this book will delight strong third and fourth grade readers (and younger), I think it's real gift will be as a read aloud so that a group can cheer on Flora together. She would like that; she's a friendly type and a real team player.
Recommended as a read aloud to first grade and up; independent read as third-fifth grade.
Book from my local library; cover image from HMH Books.
A Novel of Snow and Courage
Chris Kurtz, author
Jennifer Black Reinhardt, illustrator
HMH Books for Young Readers
2013
288 pages
This book came out on my birthday this year (January 8) along with titles such as Hokey Pokey, Navigating Early, and The Terrible Thing That Happened to Barnaby Brockett. Despite the "potential Newbery buzz" for books like Hokey Pokey and Navigating Early (both were on the early "to read" list at Heavy Medal, for instance), my favorite of this group is The Adventures of a South Pole Pig: A Novel of Snow and Courage.
So, why do I like this little chapter book so much? A longheld love affair with Charlotte's Web making me predisposed to like any pig chapter book? A general fondness for talking animal stories? A son who loves all things "pig"? Those are all reasons that helped me pick up this title off the "new" shelf at the library earlier this year. But those are not the reasons that make me like this book better than others I've read this year.
The Adventures of a South Pole Pig: A Novel of Snow and Courage is well written. Pure and simple. Characterization is top notch. We first meet Flora as a piglet who dreams of life beyond the pigpen, befriending the barnyard cat (Luna) in hopes of finding out "stuff." One day: escape! And Flora meets Oscar, a lead sled dog. Henceforward, after being returned to the pigpen, Flora dreams not just of exploration but of joining the sled dog team. After all, she has courage, pluck, strength, a stout heart. What more could you ask for in a sled dog team member?
One day, Flora is taken, along with Oscar and a number of other dogs, on board a ship bound for an Antarctic expedition. The reader will pick up on clues that go over Flora's head: her destiny is clearly for the crew's plates. She and her newest cat friend, Sophia, team up in the ship's hold to conquer the myriad rats, and Flora works hard to build up her strength in preparation for her anticipated sled dog/pig role.
Catastrophe strikes the ship, Flora's stout heart and strong legs help save the day, and she becomes essential to the team's survival. Flora forms an unlikely team with old Oscar, prickly Sophia, and the boy Aleric to help save the day in a heartwarming ending that is not at all saccharine.
The best chapter books for the third-fifth grade crowd feature great friendships, often between unlikely characters. You will find that in spades in this delightful book. Flora seeks adventure and finds it beyond her wildest dreams. Her courage is tremendous. Sophia's begrudging acceptance of the role of team player is well done. The scary and tense situations are just the right level for the target age group. As bizarre as the plot line is, it somehow works: we're rooting for a pig and a cat in the Antarctic and we know they will make it.
This book works on so many levels: plot, characterization, "issues" (survival, friendship, teamwork, etc.), setting (from the farm to the boat to the Antarctic). Illustrations are quirky and effective. But it also works on a sentence level: the text is excellent. A well constructed text can be read aloud easily and to great effect; Kurtz gives us that here. In fact, while this book will delight strong third and fourth grade readers (and younger), I think it's real gift will be as a read aloud so that a group can cheer on Flora together. She would like that; she's a friendly type and a real team player.
Recommended as a read aloud to first grade and up; independent read as third-fifth grade.
Book from my local library; cover image from HMH Books.
Wednesday, September 25, 2013
One Cool Friend (PBOW)
A Picture Book Of the Week (PBOW) feature
One Cool Friend
Tony Buzzeo, author
David Small, illustrator
Dial, 2012
Caldecott Honor
I wrote a 5 page paper on this lovely gem during my 2013 spring semester. I'll try to keep this post a bit shorter...but you never know! That's what happens when you start talking about a great picture book. The more you study it and read it, the more you see.
Let's start with the cover of this book: Notice the frosty aqua blue spine with hand drawn wavy grid lines? Does it remind you of ice cubes and cold places? Oh--look at that penguin on the front! Yes, we're in for a cold one. But not a dreary cold place: this is a fun cold place. After all the boy and penguin look like they are best friends and also share a secret. The font choice is breezy and playful as well with the word "cool" printed in the same cool aqua shade; is the friend "cool," as in "cold," or "cool," as in "popular, fun, awesome"? Both, as it turns out.
Endpapers are next. The endpapers of this book continue the cool aqua association as well as those hand drawn white grid lines that remind one of ice cubes. Brrrr....
Opening pages: We see Magellan (the penguin) up close and personal, and doesn't he look a charmer? On the next page, we see Elliott (the boy), and he looks dapper as well. The perceptive reader notices that both the penguin and the boy look alike (in palette, at least). The penguin is the "friend" in the title--after all, he's pointing at the word on the title page. And Elliott looks like he's got a little secret. His presence at the far right of that first page invites us to turn the page and find out.
Palette: this book is a terrific example of a well chosen--and well used--palette. Note the frosty blue, the black and white, the spots of red (where the action is!), and the suspicious turtle-green color associated with Elliott's dad. Hmm.... as we look more closely at these colors, we might notice a suspicious-looking turtle shape in a few pictures. Or that the dad is always linked to this color much like Elliott and Magellan are linked to the spots of aqua and red on a black and white backdrop. Huh. Who or what is the father dressed like? Aaaahh... Cook it is.
Perspective: Another element Small uses effectively in this book is perspective. Palette goes hand in hand with perspective since it's usually a particular color that is drawing our eye to part of a page. But Small cleverly shields us from noticing the obvious by providing only part of an image. A reread shows us some striking partial turtle-shapes as well as other details (maps and the like) that we missed the first time around because our eyes were drawn to something completely different.
All in all, this is a delightful book to read once, twice, three times--looking closely at the elements mentioned above as you read. When you look for particular elements, like palette, then it's easier to start appreciating why certain books win awards even if at first glance you don't find the book remarkable. (For the record, *I* found this book remarkable before the Caldecotts were announced :-). )
What do YOU think of this book? Like it? No? Why not?
Next PBOW: I want it to be Moonday by Adam Rex (September, 2013--you may need to look at this in a bookstore because libraries won't have it yet), but I'm not sure I'll make it back to the bookstore for another read before then. So, it will be Nino Wrestles the World by Yuyi Morales (2013 publication, but should be in local libraries by now.)
One Cool Friend
Tony Buzzeo, author
David Small, illustrator
Dial, 2012
Caldecott Honor
I wrote a 5 page paper on this lovely gem during my 2013 spring semester. I'll try to keep this post a bit shorter...but you never know! That's what happens when you start talking about a great picture book. The more you study it and read it, the more you see.
Let's start with the cover of this book: Notice the frosty aqua blue spine with hand drawn wavy grid lines? Does it remind you of ice cubes and cold places? Oh--look at that penguin on the front! Yes, we're in for a cold one. But not a dreary cold place: this is a fun cold place. After all the boy and penguin look like they are best friends and also share a secret. The font choice is breezy and playful as well with the word "cool" printed in the same cool aqua shade; is the friend "cool," as in "cold," or "cool," as in "popular, fun, awesome"? Both, as it turns out.
Endpapers are next. The endpapers of this book continue the cool aqua association as well as those hand drawn white grid lines that remind one of ice cubes. Brrrr....
Opening pages: We see Magellan (the penguin) up close and personal, and doesn't he look a charmer? On the next page, we see Elliott (the boy), and he looks dapper as well. The perceptive reader notices that both the penguin and the boy look alike (in palette, at least). The penguin is the "friend" in the title--after all, he's pointing at the word on the title page. And Elliott looks like he's got a little secret. His presence at the far right of that first page invites us to turn the page and find out.
Palette: this book is a terrific example of a well chosen--and well used--palette. Note the frosty blue, the black and white, the spots of red (where the action is!), and the suspicious turtle-green color associated with Elliott's dad. Hmm.... as we look more closely at these colors, we might notice a suspicious-looking turtle shape in a few pictures. Or that the dad is always linked to this color much like Elliott and Magellan are linked to the spots of aqua and red on a black and white backdrop. Huh. Who or what is the father dressed like? Aaaahh... Cook it is.
Perspective: Another element Small uses effectively in this book is perspective. Palette goes hand in hand with perspective since it's usually a particular color that is drawing our eye to part of a page. But Small cleverly shields us from noticing the obvious by providing only part of an image. A reread shows us some striking partial turtle-shapes as well as other details (maps and the like) that we missed the first time around because our eyes were drawn to something completely different.
All in all, this is a delightful book to read once, twice, three times--looking closely at the elements mentioned above as you read. When you look for particular elements, like palette, then it's easier to start appreciating why certain books win awards even if at first glance you don't find the book remarkable. (For the record, *I* found this book remarkable before the Caldecotts were announced :-). )
What do YOU think of this book? Like it? No? Why not?
Next PBOW: I want it to be Moonday by Adam Rex (September, 2013--you may need to look at this in a bookstore because libraries won't have it yet), but I'm not sure I'll make it back to the bookstore for another read before then. So, it will be Nino Wrestles the World by Yuyi Morales (2013 publication, but should be in local libraries by now.)
Monday, September 23, 2013
Escape from Mr. Lemoncello's Library
Escape from Mr. Lemoncello's Library
Chris Granbenstein
Random House, 2013
Even before Willy Wonka is mentioned, readers will note the similarities between Mr. Lemoncello and Wonka: both are as quirky and eccentric as they come, and both enjoy creating a mysterious "playground" of sorts for children to explore. The nice ones survive and move ahead; the mean kids are out of luck.
In Mr. Lemoncello's case, it's a new library for a town that's been without for twelve years. Mr. Lemoncello is a famous game maker--both board and video--who's now a billionaire and decides to create the ultimate library + game for this small town that gave him his own beginnings in puzzle making and solving. In true eccentric fashion, his library will open with twelve twelve year olds playing an elaborate game of "escape from the library" in one 24-hour period. Kyle Keeley, game player extraordinaire but NOT a reader, is one of the twelve lucky participants, and he can hardly wait. His other eleven companions are the types of characters that enable the reader to immediately guess who's going to win and who's going to lose. After all, jerks and wimps are pretty easy to recognize, but team players nearly always get ahead--at least in books!
The game makes this book: it's elaborate, full of tricks like holographic former librarians, and is all being supervised by the actively involved Mr. Lemoncello (albeit from a distance through video cams).
What doesn't make this book are the very things that are probably supposed to make the book: the myriad references to libraries and books. Oh, the books which are referenced! Favorites of this reader, to be sure--grown-up books, kids' books, old books, new books. I had a great time noting the references, some of which are quite obscure. And there's the problem: what twelve year old who really has read enough to get all those references is going to pick this book to read next? And, if you're a gamer like Kyle who doesn't like to read, will you get any of the references? Will you really want to go read all those books?
No, I'm afraid Escape from Mr. Lemoncello's Library, although it's getting lots of praise from professional reviews, is not going to be the crowd pleaser people seem to think it will be. It's a fun read, but it's hard to figure out who the audience will be who really gets into this: grown-up librarians or the type of kids it's about?
I rarely say this, but I think this book--ironically enough--would make a better movie than book. It's high adventure and would beg for terrific special effects. But a good read? Hmm...
Age recommendation: 9-12/middle grades
Book cover from publisher
Chris Granbenstein
Random House, 2013
Even before Willy Wonka is mentioned, readers will note the similarities between Mr. Lemoncello and Wonka: both are as quirky and eccentric as they come, and both enjoy creating a mysterious "playground" of sorts for children to explore. The nice ones survive and move ahead; the mean kids are out of luck.
In Mr. Lemoncello's case, it's a new library for a town that's been without for twelve years. Mr. Lemoncello is a famous game maker--both board and video--who's now a billionaire and decides to create the ultimate library + game for this small town that gave him his own beginnings in puzzle making and solving. In true eccentric fashion, his library will open with twelve twelve year olds playing an elaborate game of "escape from the library" in one 24-hour period. Kyle Keeley, game player extraordinaire but NOT a reader, is one of the twelve lucky participants, and he can hardly wait. His other eleven companions are the types of characters that enable the reader to immediately guess who's going to win and who's going to lose. After all, jerks and wimps are pretty easy to recognize, but team players nearly always get ahead--at least in books!
The game makes this book: it's elaborate, full of tricks like holographic former librarians, and is all being supervised by the actively involved Mr. Lemoncello (albeit from a distance through video cams).
What doesn't make this book are the very things that are probably supposed to make the book: the myriad references to libraries and books. Oh, the books which are referenced! Favorites of this reader, to be sure--grown-up books, kids' books, old books, new books. I had a great time noting the references, some of which are quite obscure. And there's the problem: what twelve year old who really has read enough to get all those references is going to pick this book to read next? And, if you're a gamer like Kyle who doesn't like to read, will you get any of the references? Will you really want to go read all those books?
No, I'm afraid Escape from Mr. Lemoncello's Library, although it's getting lots of praise from professional reviews, is not going to be the crowd pleaser people seem to think it will be. It's a fun read, but it's hard to figure out who the audience will be who really gets into this: grown-up librarians or the type of kids it's about?
I rarely say this, but I think this book--ironically enough--would make a better movie than book. It's high adventure and would beg for terrific special effects. But a good read? Hmm...
Age recommendation: 9-12/middle grades
Book cover from publisher
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